Designed before setting documents entirely in sans-serif text was common, its standard weight is noticeably bolder than most modern body text fonts.Īn immediate success, the year after its release the London and North Eastern Railway (LNER) chose it for all its posters, timetables and publicity material. Gill's aim was to blend the influences of Johnston, classic serif typefaces and Roman inscriptions to create a design that looked both cleanly modern and classical at the same time. Gill Sans was released in 1928 by Monotype, initially as a set of titling capitals that was quickly followed by a lower-case. Morison hoped that it could be Monotype's competitor to a wave of German sans-serif families in a new " geometric" style, which included Erbar, Futura and Kabel, all being launched to considerable attention in Germany during the late 1920s.
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Gill was commissioned to develop his alphabet into a full metal type family by his friend Stanley Morison, an influential Monotype executive and historian of printing. By this time Gill had become a prominent stonemason, artist and creator of lettering in his own right and had begun to work on creating typeface designs. In addition, Gill sketched an alphabet for Cleverdon as a guide for him to use for future notices and announcements. In 1926, Douglas Cleverdon, a young printer-publisher, opened a bookshop in Bristol, and Gill painted a fascia for the shop for him in sans-serif capitals. As a young artist, Gill had assisted Johnston in its early development stages.
Gill Sans is based on Edward Johnston's 1916 "Underground Alphabet", the corporate font of London Underground.
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The Series also brings to life new elements inspired by some of Gill's unreleased work, recently discovered in Monotype's archive of original typeface drawings, designer correspondence and documents from the last century.Gill Sans is a humanist sans-serif typeface designed by Eric Gill and released by the British branch of Monotype from 1928 onwards. The Gill Sans Nova typeface family is part of the new Eric Gill Series, drawing on Monotype's heritage to remaster and expand and revitalize Eric Gill's body of work, with more weights, more characters and more languages to meet a wide range of design requirements. My goal was to ensure clarity across digital environments, add missing weights, and bring more personality to the family with new display fonts, as well as Gill-inspired alternate characters." This is especially true with all that we've added to the new series, while still retaining the familiarity of Gill Sans. "It's been adapted for every publishing technology, from mechanical typesetting to digital imaging - always receiving the best treatment from Monotype in each iteration. "Gill Sans was fast to strike a chord with people after its initial 1928 release and quickly became popular," explained Ryan. The Gill Sans Nova family has a large character set that supports Latin, Greek and Cyrillic languages. Several new display fonts are available, including a suite of six inline weights, shadowed outline fonts that were never digitized and Gill Sans Nova Deco that was previously withdrawn from the Monotype library.Ī variety of OpenType® features are supported that make it possible to include experimental characters from different points in Gill Sans's long history, including pointed diagonals on 'A', 'V' and 'W' and alternatives for 'b', 'd', 'p' and 'q.' Proportional figures are also available as an alternative to the tabular designs.
The Gill Sans® Nova typeface, by Monotype Studio designer George Ryan, expands the much-loved Gill Sans family from 18 to 43 fonts and features a coordinated range of roman and condensed designs.
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